8/23/2023 0 Comments B flat minor scale fl studio![]() I don't think there are any hard and fast rules about when to adjust things on the second, fourth, and fifth scale degrees, but doing so can be an essential part of making a major piece "sound" minor. The original melody on the downbeats (filtering out the Gs on the upbeats) is F F e d which includes a major seventh jump in minor, that becomes a diminished seventh jump. Changing the F's to F# ( raising them) creates tension and-at least to my ear-greatly improves things. d, which is harmonized over a V7 chord and thus wouldn't be recognizable as minor until the fifth note. Now that I think about it, I suppose a similar thing could happen when converting minor keys with a 3, 6, or 7 that’s a sharp to major. A later section, however, goes G F, G F, G e. This is because those degrees are flattened with going from major to minor, so you encounter these impractical double flats. e e, which will instantly sound minor if the E is changed to Eb. For example, assuming a key of C, the Blue Danube Waltz starts out very nicely with C C E G G. In such cases, it may be necessary to make additional melodic adjustments. If earlier and later parts of the melody have a lot of E's (which would be changed to E flat), having a portion which sounds just like the major version can seem weird. For example, if a piece is in C major and part of the melody only uses C, D, F, and G, that part of the melody will be completely unaffected by a change from major to minor. While a piece of music in a major key can be changed to a minor key merely by lowering the third, sixth, and sometimes seventh scale degrees, there will often be places in the melody where this doesn't have the desired effect. ![]() This is how most of these videos are done, as a far as I can tell, and is especially noticeable when listening to, say the mario theme song in a minor key when you have the sheet music and knowledge of what the Bb to D (major 3rd) interval sounds like vs the Bb to Db (minor 3rd) interval sounds like. This means that you wouldn’t lower the 7th.Īs he also pointed out, the harmonies have to change, but (correct me if I’m wrong) this should be handled by the fact that we are changing the scale degrees. The song you showed goes into a harmonic minor, as Tim rightly pointed out. In short, you are converting the scale they used into its parallel minor. To get the full transformation, you would need to lower every 6th and 7th scale degree too, if you are converting to the natural minor. ![]() You would need to lower every instance of the 3rd Scale degree, to turn it into a minor 3rd. Going from major to minor is a bit more difficult, although there are pieces of software that can do it. You can easily change the key of a song by transposing it.
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